Tag: feedback
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Richard Craig – 10 March 2016
Richard Craig is a performer of contemporary music and improvisation, performing with groups such as ELISION, Musikfabrik, Klangforum Wien and Das Experimentalstudio ensemble, which has taken him to international festivals in Europe. Recent projects include Rodrigo Constanzo’s DFS score, performing in the Manchester Jazz Festival. In September 2015 he was appointed Head of Performance at…
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L’Ocelle Mare + Kelly Jayne Jones/Jon Collin Duo + Katz Mulk – 12 February 2016
L’OCELLE MARE Visiting from France Thomas Bonvalent creates amazing musical structures using banjoguitar, feet (special shoes), objects (tuning forks, inside of harmonics, metronomes, others…) and close micing combined with intimate knowledge of the extremes of his amplification system. Its really a wonderful thing to hear. https://ocellemare.bandcamp.com/ KELLY JAYNE JONES/JON COLLIN St margos is going to…
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Richard Knight – 12 December 2013
Knight’s interests include feedback, modeling organic processess with digital systems, machine learning for composition, data driven art, automated analysis and composition, and making phat beats. Many of his aspirations are based on a controversial foundation, with focus on a hypothetical singularity whereby music performance and composition can be fully automised, and musicians as we know…
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Richard Craig – 10 April 2014
Born in Glasgow, Richard studied flute at the RSAMD with Richard Blake and Sheena Gordon, continuing his studies with the assistance of a Dewar Award, with Mario Caroli at the Conservatoire National de Strasbourg. Formative experiences include working with composers Brian Ferneyhough, James Dillon and Helmut Lachenmann. He has been invited to perform with groups…
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Tout Croche – 11 April 2013
Tout Croche is Stephen Harvey & Dominic Thibault A haven of post-genre sonic experimentation Music making that marvels at noise From beautiful ambience to digital distortion www.toutcroche.com The Howl Won’t Be Silent Improvised set Utilizing only the simplest of apparatus: guitar, voice and the no-input feedback rack. For the love of red lights , we…
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Tout Croche – 10 April 2013
Tout Croche is Stephen Harvey & Dominic Thibault A haven of post-genre sonic experimentation Music making that marvels at noise From beautiful ambience to digital distortion www.toutcroche.com The Howl Won’t Be Silent Improvised set Utilizing only the simplest of apparatus: guitar, voice and the no-input feedback rack. For the love of red lights , we…
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Richard Knight – 13 September 2012
Raised in the surroundings of conflicting natural beauty and industrial decay of northern England, many of Knight’s primary influences are based around the clash between organic and electronic. He began producing music and playing in diverse experimental bands/projects in and around Leeds, but had always been motivated by the the possibilities of encapsulating avant-garde stylings…
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Sonia Paço-Rocchia / Feedback Workshop Performance – 14 April 2011
Sonia Paço-Rocchia [sonja’ pa’so rɔ’kja] is a young artist who took a degree in Instrumental and Electro-Acoustic Composition from the Université de Montréal after a double collegial diploma in natural sciences and music. She studied composition with Michel Tétreault, José Evangelista, Michel Smith, Michel Longtin and Jean Piché. Her work has been presented in Québec,…
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No-Input Mixer Workshop – 14 April 2011
To sign up email workshops@thenoiseupstairs.com or talk to Anton or Rodrigo (or Richard!). Workshop dates will be March 20th and 27th with the performance happening April 14th. ‘No-input’ describes the state of an audio mixer fed back into itself. The name is slightly misleading however: there is input to the mixer – the output. Audio mixers…
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Partial Trust – 12 August 2010
Partial Trust is a new collaboration between Richard Knight and Abigail Sanders, exploiting the relationship between unadulterated acoustic and electronic phenomena. Sourcing from the hauntingly rich and pure timbres of the French Horn, Abigail emphasizes the natural acoustics of the instrument through multiple extended techniques, in a never-ending attempt to synchronize with (or combat against)…
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Partial Trust – 11 August 2010
Partial Trust is a new collaboration between Richard Knight and Abigail Sanders, exploiting the relationship between unadulterated acoustic and electronic phenomena. Sourcing from the hauntingly rich and pure timbres of the French Horn, Abigail emphasizes the natural acoustics of the instrument through multiple extended techniques, in a never-ending attempt to synchronize with (or combat against)…